For once Adrian had remained silent. Something was terribly wrong.
It had taken him two painful terms to identify the symptoms. He looked them up in all the major textbooks. There was no doubt about it. All the authorities concurred: Shakespeare, Tennyson, Ovid, Keats, Georgette Heyer, Milton, they were of one opinion. It was love. The Big One.
Cartwright of the sapphire eyes and golden hair, Cartwright of the Limbs and Lips: he was Petrarch’s Laura, Milton’s Lycidas, Catullus’s Lesbia, Tennyson’s Hallam, Shakespeare’s fair boy and dark lady, the moon’s Endymion. Cartwright was Garbo’s salary, the National Gallery, he was cellophane: he was the tender trap, the blank unholy surprise of it all and the bright golden haze on the meadow: he was honey-honey, sugar-sugar, chirpy chirpy cheep-cheep and his baby-love: the voice of the turtle could be heard in the land, there were angels dining at the Ritz and a nightingale sang in Berkeley Square.
